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His need to repeatedly define himself as вЂњnot a fan,вЂќ вЂњnot a nostalgic,вЂќ вЂњnot a collector,вЂќ and perhaps most puzzling as вЂњnot one who likes comics, but only the occasional graphic novelвЂќ suggests what C. He will say, for example, вЂњThe comics world is driven by fan-boy insularityвЂќ and similar phrases dozens of times over the course of a year (and even in one particularly troubled clientвЂ™s case, at least three times per week). In his criticism and in the clinical setting, the AN displays a verbal repetition-compulsion syndrome (King 1957) when confronting self-identity issues.

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evil Manichean dualism.) Fans, he will often say, like what they like because they are blinded by nostalgia, whereas he, the AN, can see the object as it is, free from the physiological elation that the memory-driven fan experiences as he warmly recalls a simpler past in which comics ordered his life, providing a psychic escape from his developmental issues and current social problems.ДЈ. So, when writing about comics, the AN feels that he must do вЂњall in his powerвЂќ to вЂњshow the worldвЂќ that he is by no means part of the fan community indeed, he is the self-described вЂњFoe of All Comicdom.вЂќ (He seems unaware that his language/ideology is comic-book inspired in its good vs. The ANвЂ™s key dysfunction is this: he is suffering from what we designate as вЂњpathological anti-nostalgia.вЂќ The AN is cognizant, almost paralyzing so, that comic books have long been associated with a nexus of subjects that inevitably evoke childhood: superheroes (and other forms of power-phantasies), collecting, fandom, and nostalgia. Indeed, Arno (1999) has shown success with disorders of this type, treating males who are over-invested in writing about toy culture in online fora.)Дў. (Though relatively small in number as of this date, the AN needs to be added to future editions of the Uniform Catalogue of Personality Abnormalities so that, when encountered within a clinical setting, it can be properly identified, assessed, and treated. The AN, however, displays the following: a mania for вЂњhigh standardsвЂќ an irrational suspicion of memory an obsessive interest, not in art, but in competing with other critics to establish mastery and most importantly, for our purposes, a fear of their own childhood selves. He (and it is almost always a male) needs to be distinguished from his peers, who, though they may be invested in reading and writing about childrenвЂ™s comic-strips and picture novels, exhibit no deviant traits.

This legitimation of a once-reviled вЂњart formвЂќ has spawned a troubled personality formation, a subset of вЂњcomic-book criticвЂќ that we designate here, for the first time in the psychiatric literature, as вЂњThe Anti-NostalgicвЂќ (AN).

The so-called вЂњRise of the Graphic NovelвЂќ has led to the emergence of a specialized class of readers: comic-book critics.